Dil To Baccha Hai Ji is all set to release on January 28.

Not wanting his film “Dhobi Ghat” to clash with any other film, Aamir Khan has personally requested his friends on UTV to ask Madhur to change the release date of his upcoming romantic comedy “Dil To Baccha Hai Ji”.

Not only will “Dhobi Ghat” be screened without any interval but it will also run in theatres for one whole week without any interruption from any other major releases.

He wants a clean week for his film without any other releases. A source stated “Madhur and producer Kumar Mangat announced the release date of “Dil To Baccha Hai Ji” as January 26.”

The source said further, “But Aamir realised that Madhur’s film will then run in the first week of his film. So, he requested his friends in UTV to ask Madhur to change the release date to 28th. Since Madhur is on very good terms with UTV, he agreed.”

The source added “Aamir is known to be a marketing genius. He has always maintained that Dhobi Ghat is the best film ever to have come out of his production house.”

The source added, “But he did not want his film to clash with another before the end of the first week.”

Madhur’s upcoming film romantic comedy will now be released on 28th January.

Dhobi Ghat-Preview

After delivering blockbuster hit “3 Idiots” a year ago, perfectionist Aamir Khan is back with “Dhobi Ghat”, the directorial debut of his wife Kiran Rao.
The film which is slated to hit theatres this Friday is creating a lot of hype. The film displaying Mumbai’s myriad colors stars Aamir Khan, and debutants Kriti Malhotra, Monica Dogra and Prateik Babbar.
Produced by Aamir Khan Productions the background score of the film has been composed by Argentine musician Gustavo Santaolalla.
Keeping a Dhobi Ghat as the backdrop, the story of the film revolves around four people coming from different backgrounds and who suffer from longing, loneliness, loss and love.
Their lives are altered after coming across each other.
This film is Kiran’s tribute to Mumbai, the city of her dreams.
It has been shot in the bylanes of Mumbai and the city’s most famous Dhobi Ghat located at Mahalaxmi to give the film an authentic touch.
Aamir told “Obviously our expectations from the film are that everyone likes it and more and more people come and see it. It’s a very different film and we hope it does well.”

Turning 30 Movie|Turning Movie Rating

Downward mobility is not what any girl would expect on the eve of turning 30. Dumped by her boyfriend, whom she expected to pop the crucial question, fired from her advertising job, and barraged with unwanted advices from her coterie of friends, the protagonist of Turning 30 steps into mid-life crisis; it’s an age where facial lines begin to show and the insecurity of being ‘jobless’ and ‘manless’ haunts any girl dreading the spinster tag and test tube babies.

In Turning 30, debutante director Alankrita Shrivastava deals us a chick flick that clicks for most of its first half, but eventually turns into a whine- and wine-fest involving the protagonist Naina (Gul Panag) and her bunch of friends - lesbians and cheating hubbies - with evidently affected manners.

You are all but amused at the misfortune and insecurities of Naina. Mid-way into the foreplay, her regular boyfriend Rishab (Siddharth Makkar) unceremoniously announces that he’s leaving her for another girl, younger and richer. At the office, her competitors nick her ideas and bag accolades. To cap it all, people around Naina can’t seem to tire of doling out advices about anything from lingerie to haircut, sex toys to even Naina’s sagging assets (by no means financial).

A little respite comes in the male shape of her ex flame Jai (Purab Kohli) whom Naina laps with open arms and uses no end as her ‘rebound sex toy’, as he puts it. But does she love him? Or is she still pining for Rishabh? Is turning 30, after all, really such a big deal?

The humour in the film stays strictly sophomoric, and indeed, the angst and anxiety of the film’s nerve-wrecked heroine begins to look bloated as she runs pillar to post, parlours to spas, not knowing what she wants. Sex? Love? Pedicure? Botox? A token boyfriend? A normal life? But then, what is normal?

In the end, a viewer comes out feeling that the film was just much ado about nothing. Gul Panag does salvage a lot with her spunky performance and Purab Kohli is reduced to a sorry figure. Siddharth Makkar brings a cocky, snobbish side to his character.

Narrated mostly in English, Turning 30 may have a farm fresh plot, but alas, it’s riddled with clichés you expect from any chick flick desperately trying to look mod.

Yamla Pagla Deewana Movie review| Yamla Pagla Deewana Rating

Dharmendra’s home production “Yamla Pagla Deewana” starring father-son trio has hit theatres today. This film has the biggest hype among all Deol films post “Apne”.

film-review-yamla-pagla-deewana

The film was expected to have a successful story and finally break the bad time that the Deol brothers are facing for years now.

Despite the cast of the film leaving no stone unturned for the promotion of their film, it did not receive the similar attention as the first theatrical promo had received.

Even the songs, dialogues and dance too are not that impressive and neither up to the mark. Since the release of “Yamla Pagla Deewana” is a massive one, the opening is expected to be good.

This film marks veteran Bollywood actor Dharmendra’s 50 years in the film industry. The film stars Dharmendra, Sunny, Bobby Deol, Nafisa Ali, Anupam Kher, Mukul Dev, Johnny Lever, Puneet Issar and newbie Kulraj Randhawa.

The film begins in Canada and travels to Banaras and ends up in Punjab. Directed by Samir Karnik and co-produced by Nitin Manmohan the story of the film is based on a father-son relationship.

The story of the film revolves around Sunny Deol who visits India all the way from Canada in search of his father Dharmendra and his brother Bobby Deol, who were separated from him during his childhood.

The title of the film has been inspired from Dharmendra’s iconic song ‘Main jat yamla pagla deewana’ from his 1975 film titled “Pratiggya”.

The main highlight of the film is Bobby Deol’s replicating Dharmendra’s famous drunkard scene from “Sholay”.

The unbridled goofiness, the Punjabi stereotypes and the Deol chemistry makes this film a must watch.